“中国式美学”的历史经验与理论建构  

Historical Experience and Theoretical Construction of“Chinese-style Aesthetics”

作　　者：韩伟 Han Wei(College of Chinese Language and Literature,Heilongjiang University,Harbin 150080)

机构地区：[1]黑龙江大学文学院,哈尔滨150080

出　　处：《浙江社会科学》2025年第3期133-142,160,共11页Zhejiang Social Sciences

基　　金：浙江省哲学社会科学规划课题“中国式现代化视域下的历史文化理论与方法研究”(24NDWT002Z)成果;教育部哲学社会科学研究重大课题攻关项目“中国文论与乐论关系通史研究”(23JZD035)成果

摘　　要：“中国式美学”是具有中国现代特色的美学体系。20世纪以来,美学学科的中国化并不意味着对西式哲学美学的完全照搬,而是结合文化传统的必要性进行本土改造,这使艺术美学成为中国美学的应有之义。“中国式美学”实现了对传统美学精神的深刻继承,显性的功利主义传统与隐性的审美主义传统彼此缠绕,共同构成了塑造现代中国美学的重要基因。“中国式美学”又是面向现实和未来的美学形态,为了更好地“接着说”,不仅需要将纯粹的知识型研究转向现实观照型研究,更需要在言说方式、原创体系、现实视角等方面展开系统探索。“Chinese-style aesthetics”is an aesthetic system with modern Chinese characteristics.Since the 20th century,the disciplinary system of Chinese aesthetics does not mean the complete copy of Western philosophy aesthetics,but the local transformation combined with cultural tradition,which makes art aesthetics become the proper meaning of Chinese aesthetics.“Chinese-style aesthetics”has achieved a profound inheritance of the spirit of traditional aesthetics.The explicit utilitarianism tradition and implicit aestheticism tradition are intertwined,together forming an important gene shaping modern Chinese aesthetics.“Chinese-style aesthetics”is an aesthetic form that is oriented towards reality and the future.To further advance the research,it is not only necessary to shift from purely knowledgebased research to reality oriented research,but also to conduct systematic exploration in terms of speech methods,original systems,and realistic perspectives.

关 键 词：中国式美学 学科化 古典基因 未来发展 

分 类 号：B83[哲学宗教—美学]