理查德·福特“巴斯克姆三部曲”对消费叙事的重塑  

On the Reconstruction of Consumption Narrative in Richard Ford's Bascombe Trilogy

作　　者：何璐娇 HE Lujiao(School of Foreign Studies,Changsha University of Science and Technology,Changsha 410076,China;School of Foreign Languages,Tongji University,Shanghai 200092,China)

机构地区：[1]长沙理工大学外国语学院,长沙410076 [2]同济大学外国语学院,上海200092

出　　处：《浙江海洋大学学报(人文科学版)》2025年第1期68-73,共6页Journal of Zhejiang Ocean University(Humanities Sciences)

摘　　要：美国后南方时期主要代表作家理查德·福特的小说“巴斯克姆三部曲”——《体育记者》《独立日》和《大地之貌》通过描写主人公巴斯克姆在城市消费空间的生存困境和思维模式、价值理念的流变,探索人与人、人与自我的关系,以及调和物质与精神的矛盾的方式。福特倡导个体顺应价值体系的变化,在认同物的符码逻辑的同时意识到异化的存在,重新建立情感连结,协调物质享受与精神追求,进而跨越异化,回归本真的日常生活。福特的消费叙事颠覆了“南方文艺复兴”彰显的历史意识和价值理念,揭示了后现代时期的个体始终处于异化与去异化的辩证过程之中,回应了当今社会的现实需求。Richard Ford,a leading figure of Post-Southern American literature,explores the existential crises of protagonist Frank Bascombe within urban consumer spaces across the Bascombe Trilogy—The Sportswriter,Independence Day,and The Lay of the Land.By tracing Bascombe's cognitive shifts and value system transformations,Ford delves into interpersonal and intrapersonal relationships while also investigating ways to reconcile material pursuits with spiritual fulfillment.The trilogy advocates for individuals to adapt to changing value systems,recognizing the existence of alienation while embracing the semiotic logic of commodities,and seeks to re-establish emotional connections.By balancing material enjoyment with spiritual pursuit,individuals can transcend alienation and return to an authentic everyday life.Ford's narrative on consumption subverts the historical consciousness and moral imperatives of the Southern Renaissance,revealing how postmodern subjects perpetually negotiate a dialectical interplay between alienation and dealienation,thereby responding to the pressing concerns of contemporary society.

关 键 词：后南方 “巴斯克姆三部曲” 异化 消费叙事 重塑 

分 类 号：I106.4[文学—世界文学]