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作 者:谢纳 Xie Na
机构地区:[1]上海交通大学人文艺术研究院,上海200240
出 处:《中国文学批评》2025年第1期24-31,157,共9页Chinese Journal of Literary Criticism
基 金:国家社会科学基金艺术学重大项目“新时代马克思主义中国化的艺术理论与实践研究”(23ZD03)阶段性成果。
摘 要:艺术本体追问是美学、文艺学与艺术学研究中最基本、最重要同时也是最具争议的本体论难题。如何破解本体论难题,改变传统本体论的思维方式与提问方式,成为当代艺术哲学超越形而上学实现理论范式转换的关键议题。艺术哲学的思维方式变革与提问方式转换之间始终构成着互动生成的内在关联。与传统本体论艺术哲学思维方式相对应的提问方式是“艺术是什么”,与语言分析艺术哲学思维方式相对应的提问方式是“艺术如何言说”,与当代生存论艺术哲学思维方式相对应的提问方式是“艺术如何存在”。概言之,经由传统本体论哲学、语言分析哲学和当代生存论哲学的演进发展,艺术哲学经历了从“艺术是什么”到“艺术如何言说”再到“艺术如何存在”三种提问方式的转换。当代艺术哲学取消了“艺术是什么”的提问方式,摆脱了实体化、逻辑化、概念化的传统本体论思维方式,实现了对传统形而上学艺术哲学的超越。从艺术哲学思维方式和提问方式入手,反思批判传统艺术本体论问题,有助于改变并超越传统艺术哲学的思维定式与问题视域,探究艺术存在与人类生存的内在深层关联,彰显艺术审美自由的实践生存论意蕴。The questioning of art ontology is one of the most fundamental,important,and controversial problems in the study of aesthetics,literature,and art.Solving these ontological issues and shifting away from traditional ontological thinking and questioning have become key challenges for contemporary art philosophy as it seeks to transform its theoretical paradigm by transcending metaphysics.The evolution of thinking modes and questioning approaches in art philosophy has always been interconnected and mutually generative.The progression of art philosophy has led to a transformation in its modes of questioning.These modes have shifted from"What is art?"to"How does art speak?"to"How does art exist?"Contemporary art philosophy abandons the"What is art?"questioning method,moves beyond the traditional ontological thinking characterized by materialization,logic,and conceptualization,and transcends the constraints of traditional metaphysical art philosophy.By rethinking the modes of inquiry and questioning in art philosophy,reflecting on and critiquing traditional art ontology,it becomes possible to break free from conventional thought patterns and problem frameworks.This,in turn,enables an exploration of the profound connections between the existence of art and human existence,while highlighting the practical existential significance of freedom in art aesthetics.
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