在传奇与现实之间——《猛虎下山》的双重寓言性  

Between Legend and Reality:The Dual Allegory of Tiger Tiger

作　　者：饶翔 Rao Xiang

机构地区：[1]光明日报社,北京100062

出　　处：《中国文学批评》2025年第1期64-70,158,共8页Chinese Journal of Literary Criticism

摘　　要：《猛虎下山》是作家李修文在阔别小说创作多年之后最新出版的一部长篇小说,与其前作长篇小说相比,风格有了明显的变化,且突出表现在小说的寓言性特征。小说在文本的“互文性”中建构了丰富的象喻空间,前半部分通过戏仿“武松打虎”的“人打虎”故事,深入揭示了被权力所异化的现实世界;后半部分则在《人虎传》等“变形叙事”的基础上,讲述新的“人变虎”故事,将形体的异化作为解救心灵异化的美学方式,喻示了高度社会化的人朝向自然本真的回归。《猛虎下山》等一系列新作的寓言性书写,体现了李修文新的小说美学风格。Tiger Tiger marks Li Xiuwen's return to the novel genre after years of hiatus,showcasing a significant change in style,particularly in its allegorical nature.The novel creates a multi-layered space of metaphor with the aid of intertextuality.The first part uses"A Man Fights a Tiger"plot to satirize the"Wu Song Fights a Tiger"narrative,delving into the real world distorted by power.The latter part,drawing on"The Legend of the Tiger-Man"and other metamorphosis tales,renders a new story of"man turning into a tiger,"employing physical transformation as an aesthetic means to solve spiritual alienation.This signals a return to the natural essence for those deeply engaged in society.The allegorical writing in Tiger Tiger and other recent works manifest Li Xiuwen's new style in novelistic aesthetic.

关 键 词：《猛虎下山》 传奇 寓言性 权力异化 回归自然 

分 类 号：I207.425[文学—中国文学]