论“以古文为时文”所引发的文学效应  

On the Literary Effect Caused by“Applying Ancient Prose Style to Eight-part Essays”

作　　者：陈晨 CHEN Chen(Institute of Ancient Books,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学古籍整理研究所,上海200433

出　　处：《哈尔滨工业大学学报(社会科学版)》2025年第2期100-105,共6页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：国家社会科学基金重大招标项目“全明笔记整理与研究”(17ZDA257)。

摘　　要：明清时期,“以古文为时文”之说超越不同文派而具有广泛社会基础,由此促成明清古文与时文的互动,出现了“时文古”与“古文时”这两种文学现象。在本质上,明清官方将“以古文为时文”视为推行其文治的重要措施,认为藉此可使时文臻至“清真古雅”,从而实现文统、道统与治统的合一。在“以古文为时文”之说盛行的背景下,唐宋古文成为明清科举士子汲取文法的渊薮,由此其在明清的经典化地位得以确立,而秦汉派、唐宋派、桐城派等不同文派的兴衰也与此密切相关。During the Ming and Qing Dynasties,the concept of“applying ancient prose style to eight-part essays”transcended different literary schools and gained broad social acceptance,thereby fostering dynamic interactions between ancient and contemporary prose styles.This gave rise to two literary phenomena:“ancientized contemporary prose”and“contemporized ancient prose”.Essentially,Ming-Qing authorities regarded this approach as crucial for implementing cultural governance,believing it could elevate contemporary eight-part essays to achieve“clarity,authenticity and antique grace”,therefore unifying literary,Confucian and political orthodoxies.Under the prevailing influence of this concept,Tang-Song classical prose became the primary source for Ming-Qing examinees to acquire stylistic techniques,solidifying its canonical status in Ming-Qing literature.The rise and decline of various literary schools-including the Qin-Han School,Tang-Song School,and Tongcheng School-were profoundly intertwined with this intellectual current.

关 键 词：以古文为时文 文体互动 文学效应 文学生态 

分 类 号：I206.2[文学—中国文学]