论马致远神仙道化剧经典情节与全真教思想之关系  

On the Relationship between the Classic Plot of Ma Zhiyuan’s Immortal and Taoist Drama and the Thought of Quanzhen Religion

作　　者：赵晓东 ZHAO Xiaodong(School of Chinese Language and Literature,Yuxi Normal University,Yuxi,Yunnan 653100)

机构地区：[1]玉溪师范学院文学院,云南玉溪653100

出　　处：《玉溪师范学院学报》2024年第5期7-11,共5页Journal of Yuxi Normal University

摘　　要：元代神仙道化剧的产生与全真教关系密切,神仙道化剧中的情节多来源于全真教的度脱模式与教义,这些情节有相当一部分出现并定型于马致远的神仙道化剧中。其中“弃亲”情节是马致远神仙道化剧中最为经典的情节,其根源是全真教“断家缘”思想,这是对传统道教思想的超越和对儒家伦理观念的吸纳。“弃亲”情节具有虚幻性和象征性,其情节存在更多起到丰富结构性的作用。作为一位具有较高全真教修养的戏剧家,马致远通过对“弃亲”情节的象征化处理与巧妙设置,多层次地展现全真教“断家缘”思想,赋予了神仙道化剧以深刻的戏剧史意义和思想史意义。The creation of the Yuan Dynasty’s immortal transformation dramas is closely related to the Quanzhen School of Taoism.The plots of these dramas often originate from the Quanzhen School's salvation patterns and doctrines,with many of these plots being established in Ma Zhiyuan's immortal transformation dramas.Among them,the“killing wife”and“killing son”plots are the most classic in Ma Zhiyuan’s dramas.Their roots lie in the Quanzhen School’s concept of“severing secular relations”,which represents a transcendence of traditional Taoist thought and an absorption of Confucian ethical concepts.The“killing wife”and“killing son”plots are characterized by their fantastical and symbolic nature,serving more to enrich the structural complexity of the dramas.As a playwright with a profound understanding of the Quanzhen School,Ma Zhiyuan symbolically treated and skillfully arranged the“killing wife”and“killing son”plots,revealing the Quanzhen School’s concept of“severing secular relations”on multiple levels,and endowing the immortal transformation dramas with profound significance in the history of drama and thought.

关 键 词：马致远 神仙道化剧 经典情节 全真教思想 

分 类 号：I207.37[文学—中国文学]