南京博物院藏明万历充庵铭黄花梨画案研究  

A Study on Nanjing Museum Collected Yellow Rosewood Painting-Table with Chong An's Inscription of Wanli's Period of the Ming Dynasty

作　　者：张丹 张志辉 Zhang Dan;Zhang Zhihui

机构地区：[1]南京博物院 [2]故宫出版社

出　　处：《故宫博物院院刊》2025年第2期142-157,163,共17页Palace Museum Journal

基　　金：2024年度国家社科基金艺术学项目“明清苏作家具的制作工艺与文化传播研究”(项目编号:24BG120);2024年度江苏省社科基金项目“明清苏作家具的文化基因研究”(项目编号:24YSB013);南京博物院2020年科研课题“院藏明清民国家具整理与研究”(项目编号:09062020089)成果之一。

摘　　要：传统硬木家具兴起于明晚期,是中国古代文物中的杰出代表,具有重要的历史文化和艺术价值。南京博物院藏有一件主体由黄花梨制作并刻有明代款识的家具——明万历充庵铭黄花梨画案,是目前已知带纪年款时间最早且相关信息最全面的明代硬木家具。这件家具曾被多位家具学者关注和著录,但以往公布的材料有限,对其尚无准确的考证研究。本文首次披露了这件家具的详测图,并结合历史文献、同时代出土家具明器等进行综合比对,考证刻款信息,探讨了这件家具所涉历史人物、文化背景、流传经过和制作细节,并对其结构、用材等进行深入研究,提出了新认识。Chinese traditional hardwood furniture,emerging in the late Ming Dynasty,ranked among the outstanding representatives of ancient cultural relics of China,possesses important historical,cultural and artistic value.This thesis takes for a case study a piece of Ming-dynasty painting table made from yellow rosewood and inscribed with Chinese characters of Chong An(充庵),which is the ever-known earliest hardwood artifact bearing the date of its age.Many furniture scholars once examined it,but leaving rare references available.As result of the analysis to the painting table,the detailed design drawing has got figured out for the first time as well as the characters concerned,cultural context,processing and circulation based on the historical literature and the unearthed items of the same period.

关 键 词：充庵叟 黄花梨画案 明代家具 潘允端 豫园 

分 类 号：K87[历史地理—考古学及博物馆学]