中国传统美学元素在三维动画中的应用  

The Application of Traditional Aesthetic Elements in Three-Dimensional Animation

作　　者：何佳璇 HE Jiaxuan(Tongji University,Shanghai,201804,China)

机构地区：[1]同济大学,上海201804

出　　处：《文化创新比较研究》2025年第5期85-90,共6页Comparative Study of Cultural Innovation

摘　　要：该文探讨了中国传统美学元素在当代三维动画设计制作中的应用,旨在丰富三维动画的美学视觉效果和传统文化内涵。通过分析水墨画、京剧、青铜器、年画和皮影戏等中国传统美学元素在角色设计、场景布置及整体风格塑造中的具体应用,展示了传统美学元素如何提升动画的中国美学艺术魅力和中国传统文化认同感。分析《大鱼海棠》《白蛇:缘起》和《姜子牙》等动画作品,研究这些案例中传统美学与现代动画技术融合特点,为三维动画创作提供了新思路。此外,讨论了中国传统美学元素现代转化、技术与艺术平衡等挑战,提出中国传统美学元素在三维动画中的应用策略及展望。This article explores the application of traditional Chinese aesthetic elements in contemporary 3D animation design and production,aiming to enrich the aesthetic visual effects and traditional cultural connotations of 3D animation.By analyzing the specific application of traditional Chinese aesthetic elements such as ink painting,Peking Opera,bronze ware,New Year pictures,and shadow puppetry in character design,scene layout,and overall style shaping,this article demonstrates how traditional aesthetic elements can enhance the artistic charm of Chinese aesthetics and the sense of identity with traditional Chinese culture in animation.Analyzing animation works such as Big Fish and Begonia,White Snake:Origin of Love,and Jiang Ziya,and studying the characteristics of the integration of traditional aesthetics and modern animation technology in these cases,provide new ideas for 3D animation creation.Finally,the challenges of modern transformation of traditional aesthetic elements,balance between technology and art,and other issues were discussed,and strategies and prospects for the application of traditional aesthetic elements in 3D animation were proposed.

关 键 词：中国传统美学 三维动画 角色设计 场景布置 风格塑造 传统文化 

分 类 号：J218.7[艺术—美术]