从舶来品到非物质文化遗产:上海绒绣的艺术涵化转向  

From Imported Goods to Intangible Cultural Heritage:the Artistic Acculturation Turn of Shanghai's Woolen Needlepoint

作　　者：田兆元[1,2] 张哲 Tian Zhaoyuan;Zhang Zhe

机构地区：[1]华东师范大学社会发展学院 [2]华东师范大学非物质文化遗产传承与应用研究中心 [3]华东师范大学

出　　处：《上海文化》2025年第2期18-26,共9页Shanghai Culture

摘　　要：绒绣技术于20世纪初期传入上海,并通过民俗叙事体系的灵活建构实现本土化发展,从民国时期的“舶来品”逐步转变为新中国成立后的“民族艺术”,完成艺术涵化。在当代非遗保护语境下,以“国家级非遗·上海绒绣”为核心的新民俗叙事体系建构促使上海绒绣超越艺术涵化,并朝向“民族化”深入发展。上海绒绣被塑造为展现中国形象,促进文化交流的民族艺术瑰宝,是开放包容的中华文明向外借鉴,主动融合与积极创造的重要实践成果。The woolen needlepoint techniques were introduced into Shanghai in the early 20th century,and then through the flexible construction of folkloric narrative system,localized and acculturated with its transformation from“imported goods”to“national art”.In the process of contemporary intangible cultural heritage protection,the construction of a new folkloric narrative system themed on“National-Level Intangible Cultural Heritage:Shanghai Woolen Needlepoint”helps Shanghai woolen needlepoint transcend artistic acculturation to a“nationalized”development.Shanghai woolen needlepoint is shaped as a national artistic gem that presents the image of China and promotes cultural exchange.It is an important practical achievement of the open and inclusive Chinese civilization in borrowing from abroad,actively integrating and actively creating.

关 键 词：文明交流互鉴 上海绒绣 涵化 民族化 民俗叙事 

分 类 号：G63[文化科学—教育学]