生活在别处:“风景的发现”与旅游景观的文化重塑  

Living Elsewhere:“The Discovery of Landscape”and the Cultural Reshaping of Tourism Landscapes

作　　者：杨诗影 刘舸[1] Yang Shiying;Liu Ge

机构地区：[1]湖南大学中国语言文学学院

出　　处：《上海文化》2025年第2期71-79,共9页Shanghai Culture

摘　　要：在社会飞速发展的背景下,现代人的旅游观念经历了微妙而深刻的变化。现代旅游倾向于观赏民族共同体的国土空间,展现出与现代化进程相呼应的进步精神;而后现代旅游观则在消解旅游休闲与工作生活之传统二元对立的基础上,强调以逃离现代性“异化”为基本诉求的个性化体验。表面看来,这两种旅行经验似乎呈现出差异化的审美体验,前者聚焦于壮阔的山河与现代都市景观,后者则专注于微小的乡野风光与纯真人情。然而从“风景的发现”这一角度审视,它们都展现了自然属性与文化观念相结合的双重维度,是风景的“拟像”与大众媒体、现代消费文化的“共谋”产物,反映了审美发现过程与权力话语的内在联系。可以说,现代人试图通过奔向广阔的风景来逃离现代文明社会的压抑感之行为本身就是一个悖论。With the rapid social development,the concept of tourism has undergone subtle and profound changes.Modern tourism tends to appreciate the territorial space of the national community,showing the progressive spirit that resonates with the process of modernization.Postmodern tourismwhich dissolve the traditional binary opposition between leisure travel and work-life,emphasizes personalized experiences that fundamentally seek to escape the“alienation”of modernity.On the surface,these two travel experiences seem to offer differentiated aesthetic experiences:the former focuses on magnificent landscapes and modern cityscapes,and the latter concentrates on tiny rural scenery and innocent human feelings.However,from the perspective of“the discovery of landscape”,they all exhibit the dual dimension that combines objective nature with cultural concepts.These are the products of the“complicity”of landscape simulacra with mass media and modern consumer culture,reflecting the intrinsic connection between the process of aesthetic“discovery”and power discourse.

关 键 词：风景的发现 消费文化 权力话语 逃离 

分 类 号：G63[文化科学—教育学]