后理论时代的文学性与文学审美  

On the Literariness and Literary Aesthetic Practice in the Post-theory Era

作　　者：查明建[1] Mingjian Zha(Shanghai International Studies University)

机构地区：[1]上海外国语大学,上海201620

出　　处：《外国语言与文化》2024年第4期3-13,共11页Foreign Languages and Cultures

基　　金：国家社会科学基金重大项目“外国文学原理研究”(22&ZD284)子项目“文学审美批评研究”阶段性成果;教育部哲学社会科学研究重大课题攻关项目“20世纪以来海外中国文学评论中的中国话语与形象研究”(21JZD051)阶段性成果。

摘　　要：当代理论解构了文学和文学性,也解构了过去建立在文学性基础上的审美观和审美批评,将文学研究导向了文化研究。当代理论和文化研究虽然否认文学有其本质,摒弃审美,将文学和文学性泛化,但也为拓展文学性内涵、突破传统审美观提供了契机。后理论时代的新形式主义,既重视传统的审美形式,又注重形式所赖以形成的社会历史内容,试图将二者融合起来;文学事件论强调阅读和审美的个性化实践。这些新的文学取向开启了一个文学形式与社会历史融为一体、文学性与审美性相统一、理论与审美实践并重的文学审美面向,更新了我们的文学审美观,也为焕发以审美能力培养为核心的文学教育的生机,提供新的可能。Contemporary theories have deconstructed the concepts of literature and literariness,as well as the conventional aesthetic values and criticism associated with them,leading literary studies toward cultural studies.While these theories employed in cultural studies reject the idea of a fixed essence in literature,dismiss traditional aesthetics,and broaden the conceptions of literature and literariness,they also introduce new ways to deepen our understanding of literariness and challenge established aesthetic perspectives.In the“post-theory”era,new formalism emphasizes not only traditional aesthetic forms but also the socio-historical contexts that shape them,aiming to integrate both aspects.The theory of“literary event”further highlights the individualized nature of reading and aesthetic experience.These emerging literary theoretical approaches pave the way for combining literary forms with social and historical backgrounds,merging literariness with aesthetics,and balancing theoretical exploration with aesthetic practice.Furthermore,these renewed perspectives on literary aesthetics also revitalize the potential of literary education,with a focus on cultivating aesthetic awareness and competence.

关 键 词：文化研究 文学性 文学审美 新形式主义 后理论时代 

分 类 号：I0[文学—文学理论]