西方文论的审美转向对文学审美价值的重新确认  

The Reaffirmation of the Literature’s Aesthetic Value by the Aesthetic Turn in the Western Literary Theory

作　　者：张弛 Chi Zhang(Foreign Studies College,Hunan Normal University)

机构地区：[1]湖南师范大学外国语学院,湖南长沙410081

出　　处：《外国语言与文化》2024年第4期14-25,共12页Foreign Languages and Cultures

基　　金：国家社会科学基金重大项目“外国文学原理研究”(22&ZD284)子项目“文学审美批评研究”阶段性成果。

摘　　要：20世纪的西方文论异常繁荣,但形式主义所主张的“文学性”并未得到普遍的重视。自结构主义于20世纪60年代兴起之后,众多流派都不以文学作品的审美价值为研究对象。哈罗德·布鲁姆几乎以一己之力捍卫了文学的审美价值。文学研究的审美转向既是对审美批评的重新建构,也是对文学审美价值的重新肯定。In the 20th century,Western literary theory flourished,but the“literariness”advocated by formalism was not widely valued.Since the rise of structuralism in the 1960s,many schools have not studied the aesthetic value of literary works.Harold Bloom has almost single-handedly defended the aesthetic value of literature.The aesthetic turn of literary studies is not only a reconstruction of aesthetic criticism,but also a reaffirmation of the aesthetic value of literature.

关 键 词：西方文论 审美转向 审美批评 

分 类 号：I0[文学—文学理论]