论思想实验电影的伦理本质、伦理困境及纠偏方法  

On Ethical Nature, Ethical Dilemma and Correction Method of Film as Thought Experiment

作　　者：侯杰耀 Hou Jieyao

机构地区：[1]中国社会科学院哲学研究所 [2]中国社会科学院社会发展研究中心

出　　处：《电影艺术》2025年第2期120-127,共8页Film Art

基　　金：教育部人文社会科学研究青年项目“社会选择视域下新世纪中国主流电影的美学建构研究”(批准号:22YJC760025)阶段性成果。

摘　　要：电影的伦理本质是一个“浮于表象而无关理由”的规范系统,电影显现伦理规则的一般逻辑是“个体—集体”。通过把“个体—集体”阐释为“主体选择—生活世界”,埃尔塞瑟定义了一种伦理理由“空心”的思想实验电影,思想实验电影的伦理形象是展现主体活力的他者。思想实验电影在当代欧洲语境中承担了重新探寻启蒙价值的伦理任务,但带来了破坏社会规范系统的伦理危机,解决此伦理危机的纠偏方法是引入以社会合作为原则的规范完备性。The ethical nature of movies is a normative system about appearances but not about reasons, and the general logic of ethical rules appearing in films is “individuality-collectivity”. By interpreting “individuality-collectivity” as “subject choice-life world”, Elsaesser defines one kind of film as thought experiment which is with empty center in ethical reason, and the ethical image of film as thought experiment is the other that showcases the vitality of the subject. Film as thought experiment has undertaken the ethical task of re-exploring enlightenment values in the contemporary European context, but has brought about an ethical crisis that undermines the normative system of society. The correction method to solve this ethical crisis is to introduce the normative adequacy with social cooperation as the principle.

关 键 词：托马斯·埃尔塞瑟 思想实验电影 元伦理学 电影世界 

分 类 号：G63[文化科学—教育学]