“曾点之境”的美学阐释  

The Aesthetic Interpretation of“The Realm of ZENG Dian”

作　　者：刘璟 刘旭光 LIU Jing;LIU Xu-guang

机构地区：[1]上海大学文学院,上海200434 [2]上海大学,上海200434

出　　处：《求是学刊》2025年第2期177-187,共11页Seeking Truth

基　　金：国家社科基金艺术学重大项目“中国近代以来艺术中的审美理论话语研究”(20ZD28)。

摘　　要：近现代中国美学研究对“曾点之境”进行了审美化阐释,借助于西方现代美学的理论框架,近现代学人揭示或建构出了“曾点之境”这个具有中国特质的古典命题之中的美学意蕴:建立了曾点之“乐”与审美愉悦的亲近性,将“游”于自然的美育作为折中方案,以“自由”为关键词描述了纯粹的审美精神,最终将曾点之境界描述为一种具有民族特性的审美化人生境界。这一理论发展过程呈现了如何对中国古代思想进行创新性阐释,并赋予其现代美学的内涵,同时也触及了中国古代美学理论体系中的核心问题,为其建构提供了具体方案。Modern Chinese aesthetics has provided an aestheticized interpretation of“The Realm of ZENG Dian”.With the help of the theoretical framework of Western modern aesthetics,modern scholars have revealed or constructed the aesthetic implications of the classical proposition of“The Realm of ZENG Dian”with Chinese characteristics.Modern Chinese scholars have established the closeness of ZENG Dian’s“plea-sure”to aesthetic pleasure,offered the aesthetic education of“travelling”in nature as a compromise to intro-duce the theory of aesthetic,and described the pure aesthetics with“freedom”as the key word.Finally,“The Realm of ZENG Dian”was described as an aestheticized realm of life with Chinese national characteristics.This process of theoretical development shows how to provide an innovative interpretation of ancient Chinese thought and give it the connotation of modern aesthetics.At the same time,the theory also touches upon core issues within the theoretical system of ancient Chinese aesthetics,offering concrete solutions for its construction.

关 键 词：曾点 美学阐释 中国古代美学 

分 类 号：G63[文化科学—教育学]