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机构地区:[1]大连理工大学建筑与艺术学院
出 处:《建筑与文化》2025年第3期178-179,共2页Architecture & Culture
摘 要:本研究旨在探讨中国传统美学中意境的情感表达,分析主观情感与客观物象之间的关系。意境作为一种独特的美学范畴,强调情景的相融与内心情感的流露。研究首先回顾意境的历史演变,指出其在诗歌与绘画中的重要性。通过对经典诗作和绘画作品的分析,揭示意境如何通过艺术形式传达深刻的情感体验。同时,强调虚实统一和留白的艺术手法在情感表达中的关键作用。研究结果表明,意境不仅是艺术创作的重要手段,更是理解传统文化情感的桥梁。This study aims to explore the emotional expression of artistic conception within the framework of Chinese traditional aesthetics,analyzing the relationship between subjective emotions and objective representations.As a unique aesthetic category,artistic conception emphasizes the fusion of scenery and the expression of inner feelings.The research begins with a historical review of artistic conception,highlighting its significance in poetry and painting.Through an analysis of classic poems and artworks,it reveals how artistic conception conveys profound emotional experiences through artistic forms.Furthermore,it underscores the crucial role of the unity of reality and imaginary,as well as the technique of leaving blank space in emotional expression.The findings indicate that"artistic conception"is not only an important tool for artistic creation but also a bridge for understanding emotional depth in traditional culture.
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