叙事性视角下美术馆空间交互图式表达研究  

A Study on the Schematic Language of Spatial Interaction in Art Museums from a Narrative Perspective

作　　者：覃柳丹 鲍英华[1] 

机构地区：[1]北京交通大学建筑与艺术学院

出　　处：《建筑与文化》2025年第3期183-185,共3页Architecture & Culture

摘　　要：在美术馆建筑功能与表现形式的不断衍化中,随着设计的“套路化”,逐渐出现了仅为摆设的“展台”,这导致了场所感的缺失。美术馆的展陈空间通常较为宽敞,自然流动性也会很强,因此容易变成“空壳子”或“流水线”式的空间。鉴于此,文章通过分析美术馆室内外空间的场景特点,运用案例举证的分析方法,选取人的视觉可达、感官可达的场景作为切入点,通过图式语言来表达美术馆的空间交互策略,以期提升空间的多重体验并营造多样化的观游路径空间场景。In the continuous evolution of the functions and expressions of art museum architecture,the standardization of design has led to the emergence of"exhibition booths"that serve merely as decorative elements,resulting in a loss of sense of place.The exhibition spaces in art museums are typically spacious and highly fluid,which often renders them as"empty shells"or"assembly-line"spaces.In light of this,this paper analyzes the spatial characteristics of both indoor and outdoor environments in art museums,employing case studies as an analytical method.By selecting scenes that are visually and sensorially accessible as entry points,the paper utilizes schematic language to articulate spatial interaction strategies for art museums,aiming to enhance multi-dimensional spatial experiences and create diverse spatial scenes with varied viewing paths.

关 键 词：美术馆 叙事性 交互性 图式表达 

分 类 号：G63[文化科学—教育学]