冀中音乐会空间分布与扩散的文化地理学阐释  

Cultural Geographical Interpretation of Spatial Distribution and Diffusion of Jizhong Concerts

作　　者：张培燕 郗希 ZHANG Peiyan;XI Xi(School of Teacher Education,Baoding University,Baoding Hebei 071000,China;School of Music and Dance,Baoding University,Baoding Hebei 071000,China)

机构地区：[1]保定学院教师教育学院,河北保定071000 [2]保定学院音乐舞蹈学院,河北保定071000

出　　处：《河北软件职业技术学院学报》2025年第1期76-80,共5页Journal of Hebei Software Institute

基　　金：2023年度河北省社会科学发展研究课题(青年课题)“冀中音乐会的文化地理研究”(20230304028)。

摘　　要：冀中音乐会遍及河北省中部以及北京和天津的郊区县,空间分布呈现与寺庙分布大致对应、“中心——边缘”格局两大特征。冀中音乐会的扩散主要是按照宫廷——地方官府——民间、宫廷——寺庙——民间以及民间班社的相互传习三条路径进行,受到地理环境和文化势能的影响和制约。Jizhong concerts spread throughout the central part of Hebei province and the suburban counties of Beijing and Tianjin.The spatial distribution shows two characteris-tics:roughly corresponding to the distribution of temples,and the pattern of"center-edge".The spread of Jizhong concerts mainly follows three paths:from the court to local governments and then to the folk,from the court to temples and then to the folk,and through the mutual learning among folk troupes,It is mainly influenced and constrained by geo-graphical environment and cultural potential energy.

关 键 词：冀中音乐会 空间分布 扩散 文化 

分 类 号：B2[哲学宗教—中国哲学]