论徐大椿《乐府传声》的音乐美学思想  

On the Musical Aesthetic Thoughtsin Xu Dachun's Yuefu Chuansheng

作　　者：张佳明 Zhang Jiaming

机构地区：[1]华东师范大学中文系,上海201100

出　　处：《音乐文化研究》2025年第1期118-126,共9页Music Culture Studies

基　　金：2024年四川省社会科学重点研究基地西南音乐研究中心资助项目(项目编号:XNYY202405)的阶段性研究成果;四川省哲学社会科学重点实验室音乐数智重点实验室资助项目(项目编号:SZ024ZDXM04)的阶段性研究成果。

摘　　要：《乐府传声》是我国清代历史上一部详细论述演唱技法的理论著作,涉及字声音腔技法、词曲句法处理技法与演唱情韵表达处理等内容。从“真”“纯”为美的字声技巧、以“合”为美的技法处理、“神气一贯”的演唱表达三方面出发,探寻徐大椿《乐府传声》的音乐美学思想,发掘其中有关的字声美、句法美、表达美。阐述《乐府传声》所凝集的传统音乐美学理论及音乐演唱技法等内容,对补充和完善声乐技法起到至关重要的作用,有利于推动当今传统唱曲类音乐文化传承、演唱、教学,为补充和构建中国古代音乐美学思想体系赋能出力。YufuChuangsheng(Transmission of Sound) is a Qing Dynasty theoretical work detailing vocal performance techniques.The book can be divided into sections on vocal and tonal techniques,methods for handling lyrics and phrasing,and the expression of emotional resonance in performance.From the concepts of tonal beauty as "authentic" and "pure," technical beauty as "harmonious," and performance as "a consistent unity of spirit and form,",this study explores the aesthetic thoughts of Xu Dachun' s YuefuChuangsheng.It examines Xu's interpretations of tonal,structural,and expressive beauty,and investigates traditional Chinese aesthetic theories and vocal techniques.It plays a vital role in supplementing and enhancing vocal performance techniques,promoting the inheritance,performance,and teaching of traditional vocal music,and contributing to the construction of an ancient Chinese musical aesthetics system.

关 键 词：徐大椿 《乐府传声》 音乐美学思想 神气一贯 合度 真 纯 

分 类 号：J609.2[艺术—音乐]