借园林之“景”喻时间之“变”——梁雷《园之八》创作技法及内蕴探究  

Borrowed Scenery and the Passage of Time:Exploring Compositional Techniques and Meaning in Lei Liang's Garden Eight

作　　者：张媛媛 Zhang Yuanyuan

机构地区：[1]浙江音乐学院,杭州310024

出　　处：《音乐文化研究》2025年第1期127-138,共12页Music Culture Studies

摘　　要：《园之八》是美籍华裔作曲家梁雷创作的“园”系列作品之一,亦是他音乐创作长河的源头之一,作为他后续大多音乐创作理念与技法的缘起,其重要性不言而喻。以音乐文本创作为主要研究对象,剖析梁雷对于序列作曲技法的运用,探寻音乐创作及表达间同其灵感来源——中国园林建筑“借景”理念的深层关联,进而思忖音符下蕴含的“变”之深意,探赜音乐背后隐含的文化内蕴及哲思。Garden Eight is part of the Garden series by Chinese American composer Lei Liang and stands as a foundational work in his career.As the source of many of his subsequent musical concepts and techniques,it holds significant importance.This article analyses Lei Liang' s serial composition techniques and explores the profound connections between his music and the Chinese garden design philosophy of "borrowed scenery"(jie jing).By examining the symbolic representation of "change" within the music,this study uncovers the cultural connotations and philosophical reflections embedded in its soundscapes.

关 键 词：梁磊《园之八》 借景 变 序列音乐技法 音色 

分 类 号：J647.41[艺术—音乐]