江西诗派“无首无尾”诗法考论  

An Examination of the“Headless and Tailless”PoeticApproach in the Jiangxi Poetry School

作　　者：孙凯霞 SUN Kaixia(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《南昌师范学院学报》2025年第1期31-38,共8页Journal of Nanchang Normal University

基　　金：国家社科基金后期资助“文化整合视域下的北宋士僧交往诗研究”(23FZWB034)。

摘　　要：“无首无尾”诗法由黄庭坚开创,要求扫弃繁冗之笔,独提精要之语,诗作无首无尾,不主故常,而自成首尾,极大地影响了江西诗派的创作。其后韩驹提出“从首至尾,语脉联属”的“有首有尾”诗法,强调“无首无尾”中“自成首尾”的一面,为“无首无尾”诗法产生的语脉割裂之弊而发,是从“无首无尾”诗法中衍生出的支流。至吕本中“活法”说,不仅继承了山谷“无首无尾”诗法,还在其中注入了“法无定法”的新内涵,却最终从江西诗学内部消解了诗法的权威性,为江西诗派后续发展埋下隐忧。The“headless and tailless”poetic technique,pioneered by Huang Tingjian,advocates eliminating superfluous language and emphasizing conciseness and essential expression.Poems employing this technique lack a conventional beginning or ending,instead forming their own organic structure,which profoundly influenced the Jiangxi Poetry School.Later,Han Ju introduced the“with a head and tail”technique,emphasizing coherent linguistic flow throughout a poem to address the potential fragmentation that could arise from the“headless and tailless”approach.Han s method,though emerging as a derivative of Huang s,highlighted the inherent potential of the latter to achieve structural unity.By the time LüBenzhong proposed his concept of the“living method”,he not only inherited Huang s approach but also introduced the notion that“there is no fixed method”.However,this innovation ultimately weakened the authority of established poetic techniques within the Jiangxi Poetry School,foreshadowing challenges for its future development.

关 键 词：宋诗 江西诗派 黄庭坚 诗法 活法 

分 类 号：I207.22[文学—中国文学]