中国想象与本土意识:周青元电影中的身份认同与建构  

Chinese Imagination and Local Consciousness: Identity Recognition and Construction in Zhou Qingyuan's Films

作　　者：陈静[1] 钱士龙 Chen Jing;Qian Shilong

机构地区：[1]贵州师范大学文学院 [2]贵州师范大学历史与政治学院

出　　处：《四川戏剧》2025年第1期98-102,共5页Sichuan Drama

基　　金：2021年度国家社科基金一般项目“返乡农民工参与乡村社会治理共同体建设的行为及其激励机制研究”(项目编号:21BSH134)的研究成果。

摘　　要：近年来,马来西亚华人在电影创作上非常活跃,其中周青元导演因作品屡创票房佳绩而备受关注。周青元电影以强调华人对中华文化的坚守彰显华人的文化认同,解决“我们从何处来”的身份焦虑;通过对本土色彩的建构呈现华人落地生根后的本土认同意识,表明华人的身份转向,回答华人关于“我是谁”的课题;最后又以“华人性”与“本土性”的混融调和华人文化认同与本土认同的矛盾,完成华人自我身份定位。其电影揭示了华人文化认同与本土认同之间的张力,身份认同的转向与重构。In recent years,Malaysian Chinese have been very active in film creation,among which director Zhou Qingyuan has attracted much attention from all walks of life for his works that have repeatedly achieved box office success.Zhou Qingyuan's films emphasize the Chinese people's adherence to Chinese culture to highlight the Chinese people's cultural identity and solve the identity anxiety of"where do we come from";through the construction of local colors,the local identity consciousness of the Chinese people after taking root is presented,indicating the identity shift of the Chinese people,answering the Chinese people's question of"who am I",and finally reconciling the contradiction between Chinese cultural identity and local identity with the blending of"Chineseness"and"localness",completing the Chinese people's self-identification.The film reveals the tension between Chinese cultural identity and local identity,and the shift and reconstruction of Identity.

关 键 词：周青元电影 马来西亚 中国想象 本土意识 身份认同 

分 类 号：J905[艺术—电影电视艺术]