戏剧的文学性:关乎“人”的精神内涵与哲学思考  

The Literary Quality of Drama:Concerning the Spiritual Connotation and Philosophical Thinking of"Human"

作　　者：刘嘉龙 Jialong Liu(Shanghai Theatre Academy,Shanghai 310000)

机构地区：[1]上海戏剧学院,上海310000

出　　处：《艺术研究学刊》2025年第1期7-9,共3页

摘　　要：研究围绕戏剧文学性展开探讨,梳理戏剧界对其多元且矛盾的观点,如俄国形式主义将其局限于语言技巧,而部分从戏剧本体出发的看法则模糊了与戏剧性的界限。经研究发现,戏剧文学性核心聚焦于“人”,它超越了单纯的语言美感与戏剧性表现,深度涵盖人类情感、意志、人性等思想内容,是对人类生存本质、发展方向等哲学问题的艺术化思考。以《哥本哈根》为范例,呈现出戏剧文学性对人类内心世界的洞察及对人类命运的关切。论文强调,当下戏剧创作应秉持“人学”理念,融入对人类本质问题的深度思索,通过提升戏剧文学性,助力戏剧艺术在新时代凭借深厚底蕴与人文精神,实现内涵的全面升华,持续散发魅力。This study explores the literary nature of drama and sorts out the diverse and contradictory views in the theater industry.For example,Russian formalism limits it to language skills,while some perspectives based on the essence of drama blur the boundary between drama and drama.Through research,it has been found that the core of dramatic literature focuses on"human beings".It goes beyond the simple beauty of language and dramatic expression,and deeply covers human emotions,wills,human nature,and other ideological content.It is an artistic reflection on philosophical issues such as the essence of human existence and development direction.Taking Copenhagen as an example,it presents a dramatic literary insight into the inner world of humanity and a concern for human destiny.The paper emphasizes that current drama creation should adhere to the concept of"human studies",integrate deep reflection on human nature issues,enhance the literary quality of drama,and help drama art achieve comprehensive sublimation of connotation in the new era with profound heritage and humanistic spirit,continuously emitting charming charm.

关 键 词：戏剧 文学性 “人”的精神内涵 

分 类 号：I053[文学—文学理论]