梅洛-庞蒂身体现象学视域下铃木忠志的戏剧探索  

Exploration of Suzuki Tadashi's Drama from the Perspective of Merleau Ponty's Phenomenology of the Body

作　　者：阎相州 Xiangzhou Yan(Art Research Institute of Shandong University of Arts,Jinan,Shandong 250000)

机构地区：[1]山东艺术学院艺术研究院,山东济南250000

出　　处：《艺术研究学刊》2025年第1期17-19,共3页

摘　　要：日本戏剧家铃木忠志以其独特的戏剧观念和实践探索而闻名于世。受梅洛-庞蒂现象学观念影响,铃木忠志开创性地提出“动物能量戏剧”的概念,并将其运用到铃木训练法中,这个概念成功传播,并在多个领域中产生积极作用,在戏剧理论的研究探索上指明了未来方向和可能视域。Japanese playwright Tadashi Suzuki is renowned for his unique theatrical concepts and practical explorations.Influenced by the Merleau Ponty phenomenological concept,Tadashi Suzuki pioneered the concept of"animal energy drama"and applied it to the Suzuki training method.This concept successfully spread and had a positive impact in multiple fields,indicating future directions and possible perspectives in the exploration of drama theory research.

关 键 词：铃木忠志 梅洛-庞蒂 身体现象学 铃木训练法 

分 类 号：J80[艺术—戏剧戏曲]