梅山傩戏民族志研究的进路与展望  

The Approach and Prospect of the Ethnography Study of Meishan Nuo Opera

作　　者：龚坚 徐益[2] GONG Jian;XU Yi(School of Fine Arts and Design,Hunan University of Humanities,Science and Technology,Loudi 417000,China;Meishan Culture Base,Hunan University of Humanities,Science and Technology,Loudi 417000,China)

机构地区：[1]湖南人文科技学院美术与设计学院,湖南娄底417000 [2]湖南人文科技学院梅山文化基地,湖南娄底417000

出　　处：《湖南人文科技学院学报》2025年第2期22-28,共7页Journal of Hunan University of Humanities,Science and Technology

基　　金：湖南省社科基金项目“多重证据法视野下湘中地区非物质文化遗产体系研究”(20JD040);国家社科基金一般项目“梅山傩戏口述史料的征编与数字化研究”(20BTQ018)。

摘　　要：梅山傩戏源自南方民族文化的交流与交融,是极具价值的非物质文化遗产。随着研究方法和视角的多元化,梅山傩戏研究逐渐深入,但同时也面临着一定的瓶颈。通过回顾与评述现有梅山傩戏研究发现:在方法论方面,如文化整体观、主—客位视角和“深描”等存在不足;在文本书写方面,对文化语境关照、文化意义阐释等问题不够深入。因此,基于人类学的民族志研究视角,提出从方法和文本两个方面加强梅山傩戏的民族志研究,以期深化对梅山傩戏的文化内涵的理解,为推动其创新发展提供参考,为其他非物质文化遗产研究提供借鉴。Meishan Nuo Opera originated from the exchange and integration of southern ethnic cultures and it is an intangible cultural heritage of great value.With the diversification of research methods and perspectives,the study of Meishan Nuo Opera has gradually deepened,but it also faces certain bottlenecks.By reviewing and commenting on existing research on Meishan Nuo Opera,it is found that:in terms of methodology,there are shortcomings in cultural holism,the insider-outsider perspective,and “thick description”;in terms of textual writing,there are issues such as insufficient attention to cultural context and interpretation of cultural meaning.Therefore,based on the ethnographic research perspective of anthropology,it is proposed to strengthen the ethnographic research of Meishan Nuo Opera from both methodological and textual aspects,in order to deepen the understanding of its cultural connotations and provide references for its innovative development and the research of other intangible cultural heritages.

关 键 词：民族志研究 田野调查方法 文本书写 非物质文化遗产 梅山傩戏 

分 类 号：J825[艺术—戏剧戏曲] K28[历史地理—历史学]