权力的民间技术学、原乡叙事及其当代可能性——从莫言小说中的“刑场”说起  

From the“Field of Sentence”in Mo Yan's Novels——Folk Technology of Power,Hometown Narrative and Its Contemporary Possibility

作　　者：林琳 陈佳冀 Lin Lin;Chen Jiaji(School of Humanities,Jiangnan University,Wuxi,Jiangsu,214122)

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《语文学刊》2025年第1期83-96,共14页Journal of Language and Literature Studies

基　　金：国家社科基金重大招标项目“世界性与本土性交汇:莫言文学道路与中国文学的变革研究”(13&ZD122);江苏省高校哲学社会科学研究重大项目“新时期以来中国文学动物叙事的话语体系研究”(2022SJZD137)阶段性研究成果。

摘　　要：21世纪以来,围绕莫言研究的最显著标签渐趋从“先锋”变成“民间”,莫言创作中一以贯之的民间立场正在被批评主体不断地重新阐释。为探究莫言所建构出的与传统乡土叙事和先锋乡土叙事皆相异的“原乡叙事”,本文以其作品中共通的“刑场”叙事空间作为抓手,意在解析权力技术学如何通过酷刑实现规训并趋于精密,“五四运动”启蒙背面的民间启蒙如何在酷刑中萌发并逐步实现,莫言“作为老百姓”的民间立场又是如何贯穿其创作始终的。从《红高粱》《檀香刑》再到《晚熟的人》,莫言的原乡叙事从历史走向现代,在完成“刑场”现代嬗变的同时,也为新乡土叙事的新命题与新视角交出了自己的创作答卷。In the 21st century,the label of Mo Yan's research has changed from“pioneer”to“folk”.The consistent folk position in Mo Yan's creation has been reinterpreted by the critics.In order to explore the“hometown narrative”constructed by Mo Yan,this paper takes the space of“punishment field”as the starting point to analyze how the folk technology of power operates through torture,and how the native people transcend torture to achieve enlightenment.Mo Yan's hometown narrative moves from history to modernity.While completing the modern evolution of the“punishment field”,it also inspired new propositions and new answers for the new local narrative.

关 键 词：莫言小说 权力技术学 新乡土叙事 民间立场 

分 类 号：I206.7[文学—中国文学]