论汉末魏晋时期情赋类型化士人心态及文学史意义  

On the Typified Scholar Mentality and Literary Historical Significance of Qingfu in the Late Han, Wei and Jin Dynasties

作　　者：黄晓娟 HUANG Xiaojuan(School of Literature,Nankai University,Tianjin 300071,China;School of Humanities,Sichuan University ofScience and Engineering,Zigong,Sichuan 643000,China)

机构地区：[1]南开大学文学院,天津300071 [2]四川轻化工大学人文学院,四川自贡643000

出　　处：《河北工业大学学报(社会科学版)》2025年第1期43-49,共7页Journal of Hebei University of Technology:Social Sciences Edition

摘　　要：以汉末魏晋时期为代表的情赋与宋玉创作的情赋是有区别的。宋玉作情赋的目的在于迎合楚王,而后微以讽谏。汉末魏晋之情赋的同类型创作内容有二:一是男女相恋以精神交接为主;二是男女恋情必无疾而终,一方为另一方颠倒失据,其创作目的在于止欲正情。士人同类型创作体现出类似的心态:心态之一是私人情感需要克制;心态之二是对美的相同追求,士人对美人的追求在意不在象,所珍爱的是美人的德色兼备。情赋类型化创作还具有文学史意义:其一,以女性、爱情作为审美对象并成为赋的一类,形成特定的审美品味;其二,在创作手法上,情赋体现了从对物的铺排到对男女感情铺排的转变;其三,在创作内容上,赋转变为体物、抒情兼而有之,情赋是此类变化的代表。The Qingfu(lyrical writing)represented by the late Eastern Han,Wei and Jin Dynasties is quite different from that created by Song Yu.Song Yu created Qingfu to please and advise the king of Chu.The Qingfu in the late Eastern Han,Wei and Jin Dynasties consists of two types:Men and women are mainly in spiritual love;love ends up in vain with one fascinated by the other.The purpose of Qingfu is to correct their emotions.The same type of literary creation reflects similar mentality:Personal emotion needs to be restrained;they all seek women who are both beautiful and virtuous.Qingfu has significance in literary history:Women and love can become aesthetic objects,thus forming a specific aesthetic taste;Meanwhile,Qingfu also shifts its focus from objects to emotions.

关 键 词：情赋 类型创作 士人心态 审美 

分 类 号：I206.2[文学—中国文学]