中华民族共同体视域下地域性音乐符号的上移与再符号化  

The Ascending Motion and Re-Symbolization of Regional Music Symbols from the Perspective of the Chinese National Community

作　　者：张林 ZHANG Lin

机构地区：[1]哈尔滨音乐学院 [2]中央音乐学院

出　　处：《中央音乐学院学报》2025年第1期64-76,共13页Journal of The Central Conservatory of Music

基　　金：国家社科基金民族学一般项目“满族传统仪式音乐融入中华民族共同体意识研究”阶段性成果,项目编号:20BMZ089;哈尔滨音乐学院东北亚音乐文化发展协同创新中心项目资助。

摘　　要：铸牢中华民族共同体意识需要在中华民族文化共同体中实现文化共享。中国传统音乐十分丰富,具有非常鲜明的地域性特征,不易成为共享的文化。因此,揭示地域性音乐符号在不同时期发展为共享文化的路径显得尤为重要。文章认为,地域性音乐符号通过与大传统、与西方音乐元素结合,实现了从地方到全国、从原生到次生、从传统到现代的上移并在更大范围内实现共享,从而使中华民族音乐文化具有了“一体”的特征。从符号学的角度解释,地域性音乐符号的上移是经过文化转码、涵义增大等方式成为更高级别元符号的过程,旧符号文本经过“再语境化”实现“再符号化”,从而产生新的意义。通过上移的方式,地域性音乐符号具有了铸牢中华民族共同体意识的功能,进而言之,其未来亦能为构建“人类命运共同体”贡献中国力量。Strengtherning the consciousness of Chinese national community requires to achieve cultural sharing with in the cultural community of the Chinese nation.Traditional Chinese music is quite rich and possesses distinct regional characteristics,but is not easy to become a shared culture.Therefore,it is particularly important to reveal the path of regional music symbols developing into shared culture in different periods.The article argues that regional music symbols have achieved an ascended level from local to national,from native to secondary,from traditional to modern,and shared on a larger scale by combining with traditional and Western music elements,thus giving Chinese national music culture the characteristic of"unity."From the perspective of semiotics,the ascending motion of regional music symbols is a process of cultural transformation and increasing connotation to become higher-level meta symbols.Old symbol texts undergo"re-contextualization"to achieve"re-symbolization",thereby generating new meanings.Through the ascending motion,regional music symbols have the function of forging a strong community of the Chinese nation,and furthermore,they can contribute Chinese strength to the construction of a"community with a shared future for mankind"in the future.

关 键 词：中华民族共同体 地域性音乐 文化共享 再符号化 涵义增大 

分 类 号：J607[艺术—音乐]