从“势利”到“杂食”?——中国城市居民文化品味的变迁(1999—2023)  

From Snobs to Cultural Omnivores?A Study on Trends in Cultural Taste among Chinese Urban Residents(1999-2023)

作　　者：李东雨 LI Dongyu

机构地区：[1]杭州师范大学公共管理学院

出　　处：《社会学评论》2025年第2期209-231,共23页Sociological Review of China

基　　金：国家社科基金哲学社会科学领军人才项目“社会团结的文化基础研究”(22VRC140)。

摘　　要：文化杂食是文化社会学研究探讨文化品味与社会地位之间关系的重要概念。西方社会精英的品味模式从“势利”到“杂食”的历史转变是早期文化杂食研究的核心论题之一,但既有研究相对忽视了文化杂食现象的变迁。本文以音乐品味为例,考察了1999年至2023年中国城市居民文化杂食的基本情况,发现中国城市居民的文化杂食水平在过去二十多年间稳步提升。与西方社会从“势利”到“杂食”的转变过程不同,这一改变更有可能是我国社会各阶层获得更多文化消费选择、文化品味变得多样化的结果。Cultural omnivorousness is a key concept in cultural sociology that examines the relationship between taste and social status.A central debate in early studies on cultural omnivorousness revolves around the historical shift in Western elites'taste patterns from"snobbery"to"omnivorousness".However,existing studies have tended to overlook the temporal dynamics of cultural omnivorousness since then.Drawing on three datasets collected between 1999 and 2023,this study uses musical tastes as a case to investigate the patterns and historical trends of cultural omnivorousness among Chinese urban residents.The findings reveal a steady increase in cultural omnivorousness among Chinese urban residents over the past two decades.Unlike the shift from"snobbery"to"omnivorousness"observed in Western societies,this change in China is more likely a result of various social strata gaining access to a wider range of cultural consumption options and expanding their cultural tastes.

关 键 词：文化杂食 文化品味 音乐品味 杂食者 

分 类 号：G63[文化科学—教育学]