当代中国古典舞建构中的汉唐范式及其重要意义  

The Han-Tang Paradigm in the Construction of Contemporary Chinese Classical Dance and Its Significance

作　　者：王海涛[1] WANG Hai-tao(School of Art,Chongqing University,Chongqing 401331,China)

机构地区：[1]重庆大学艺术学院,重庆401331

出　　处：《北京舞蹈学院学报》2024年第6期21-29,共9页Journal of Beijing Dance Academy

基　　金：中央高校基本科研业务费“艺术学范式转向与新形态研究”(项目编号2023CDSKXYYS002)成果。

摘　　要：孙颖作为当代中国古典舞的奠基人之一,创立的汉唐古典舞成为这一体系中最具中国风范的艺术流派。汉唐范式的有效建构,不仅弥补了以戏曲舞蹈为建构模型的局限性,更为中国古典舞的民族形式及其主体性建设拓展了新的维度。文章以孙颖的继承观、发展观和价值观为剖面,围绕其实践中的资源继承、形象活化与文化价值进行讨论,以期为当下中国舞蹈发展提供参考和借鉴。As one of the founders of contemporary Chinese classical dance,Sun Ying established the Han-Tang classical dance style,which has become the most representative artistic genre with Chinese characteristics within this system.The effective development of the Han-Tang paradigm not only addresses the limitations of using traditional opera dance as a model but also opens new dimensions for the national form and subjectivity of Chinese classical dance.This paper explores Sun Ying's perspectives on inheritance,development,and values,focusing on his practices of resource inheritance,image revitalization,and cultural value,aiming to provide insights for the ongoing development of Chinese dance.

关 键 词：中国古典舞 汉唐古典舞 孙颖 民族性 中国性 主体性 

分 类 号：J722.4[艺术—舞蹈]