闽浙地区“三月三”节庆舞蹈与乡村公共文化建构  

Festival Dance of“March 3rd”in Fujian and Zhejiang Regions and Construction of Rural Public Culture

作　　者：陈育燕[1] CHEN Yu-yan(School of Music,Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学音乐学院,福州350007

出　　处：《北京舞蹈学院学报》2024年第6期101-107,共7页Journal of Beijing Dance Academy

基　　金：2021年国家社科基金艺术学项目“中华民族共同体建构视阈下的闽台仪式舞蹈研究”(项目编号21BE076)的阶段性成果。

摘　　要：舞蹈作为节庆仪式不可或缺的一部分,也是乡村公共文化的重要组成部分。乡村公共文化不仅是中华传统文化的衍生之地,也是培育公共精神、公共价值与公共利益的载体。文章以闽浙地区畲族“三月三”节庆活动为考察对象,研究节庆舞蹈在国家、政府、学者和民间等多主体协同参与与互动下所形成的公共文化。“三月三”节庆舞蹈对畲族社区公共文化的影响路径包括:凝炼文化符号,形成文化地标特质,是深化集体记忆的关键;节庆活动延展符号边界,扩容公共文化领域,是多民族交流、交往的平台;主流文化符号的渗入则是构建国家认同的纽带。节庆舞蹈不仅为乡村公共文化高质量发展提供了新路径,还为实现乡村文化振兴增添了新的动能。As an indispensable part of festive rituals,dance plays a significant role in shaping rural public culture.Rural public culture is not only a foundation for traditional Chinese culture but also a medium for fostering public awareness,values,and interests.This paper examines the“March 3rd”festival activities of the She ethnic group in the Fujian and Zhejiang regions,analyzing how festival dance,through the collaborative participation and interaction of multiple subjects,including the state,government,scholars,and communities,has formed a rich public culture.It outlines the pathways through which the“March 3rd”festival dance influences the public culture of She ethnic communities:refining cultural symbols and forming cultural landmarks,which is key to deepening collective memory;extending the symbolic boundaries through festival activities and expanding the realm of public culture,making it a platform for multi-ethnic exchanges and interactions;and the infiltration of national symbols as a bond for constructing national identity.Festival dance not only provides new pathways for the high-quality development of rural public culture but also injects new momentum into the cultural revitalization of rural areas.

关 键 词：畲族 公共文化 节庆舞蹈 文化认同 中华民族共同体 

分 类 号：J722.22[艺术—舞蹈]