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作 者:翁婷 WENG Ting(School of Music,Guangdong Normal University of Technology,Guangzhou 510000,China)
出 处:《北京舞蹈学院学报》2024年第6期141-146,共6页Journal of Beijing Dance Academy
基 金:2024年教育部人文社会科学研究一般项目“广府舞蹈文化史与话语体系构建研究”(项目编号24YJE760002)阶段性研究成果。
摘 要:在当今多元文化并存发展以及文化全球化布局成型的时代背景下,实现中国古典舞的跨文化传播不仅是中国舞蹈艺术发展的必然要求,同时也是实现文化强国发展战略的重要一环。突破国界、民族的文化心理界限以及拓展传播路径已成为中国古典舞对外交流与发展的关键所在。基于对跨文化理论与理念的认知与理解,加之近年来中国古典舞的艺术实践和对外传播活动,以实际行动证实了中国古典舞跨文化传播的时代必要性和现实意义性。文章结合笔者参与的2024中国-保加利亚春节晚会舞蹈活动,思考和探索在跨文化语境下,当代中国古典舞在创演理念、审美构筑、多维通道三个方面的传播策略,并聚焦内容与形式的守正创新、旨趣与品格的深度追求以及路径与平台的跃迁拓展。In the current era of cultural pluralism and globalization,the cross-cultural communication of Chinese classical dance is not only an inevitable requirement for the development of Chinese dance art,but also an important part of realizing the strategic goal of building a culturally strong nation.Breaking through the cultural and psychological boundaries across borders and nations,as well as expanding communication pathways have become the key to the international exchange and development of Chinese classical dance.Based on cross-cultural theories and concepts,as well as artistic practices and international communication activities of Chinese classical dance in recent years,this paper highlights the necessity and practical significance of cross-cultural communication of Chinese classical dance with practical actions.Drawing on the author's experience of participating in the dance activities of the 2024 China-Bulgaria Spring Festival Gala,it examines the communication strategies of contemporary Chinese classical dance in a cross-cultural context from three perspectives:creation and performance concepts,aesthetic construction,and multi-dimensional channels.It focuses on maintaining authenticity while innovating content and form,deepening the artistic pursuit of meaning and character,and expanding dissemination pathways and platforms.
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