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作 者:农先文 NONG Xianwen(College of Design,Guangxi Arts University,Nanning,Guangxi,530007,China)
出 处:《家具与室内装饰》2025年第2期122-126,共5页Furniture & Interior Design
基 金:国家社会科学基金艺术学西部项目“清代孙温绘全本《红楼梦》的家具文化研究”(21EG215)。
摘 要:天然木家具兴盛于清代,为帝王和文人墨客所喜爱,清代孙温和孙允谟创作的全本《红楼梦》(1867年至1903年)反映了这一历史事实。绘本以天然木家具为重要元素,塑造了形式多样的个性化空间情境,引申出天然木家具的本质属性和空间情境转化问题。该研究旨在挖掘“中国式传统因子”,扩展传统家具文化的研究视野。清宫档案始用“天然木某家具”称谓,当代有学者提出“自然性”特征。笔者认为,天然木家具之“天然性”可转化成“闲情逸致”的空间情境,为书斋、小室和厅堂等空间增添象征意义和精神功能。Natural wooden furniture flourished in the Qing Dynasty and was favored by emperors and scholars.The complete edition of Dream of the Red Chamber(1867-1903)created by Sun Wen and Sun Yunmo reflected this historical fact.This picture book took natural wooden furniture as an important element to shape various forms of personalized spatial situations,extending to the essential attributes of natural wooden furniture and the issue of spatial situation transformation.This study aimed to explore"Chinese traditional factors"and expand the research horizon of traditional furniture culture.The archives of Qing Palace began to use the term"natural wooden furniture",and contemporary scholars proposed the"naturalness"characteristic.The author proposed that the"naturalness"of natural wooden furniture can be transformed into situations of“leisure and elegance”,adding symbolic meaning and spiritual function for spaces such as study rooms,small rooms,and halls.
关 键 词:天然性 空间情境转化 清·孙温绘全本《红楼梦》 天然木家具 “闲情逸致”情境
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