中国当代舞台上的卡夫卡  

Kafka on the Contemporary Chinese Stage

作　　者：彭涛[1,2] Peng Tao

机构地区：[1]中央戏剧学院戏剧文学系 [2]北京市文联

出　　处：《戏剧与影视评论》2024年第6期30-38,共9页Review of Theatre and Film

摘　　要：改革开放后,卡夫卡的小说在中国广泛传播,不仅对众多中国当代作家的创作产生了深刻影响,也备受学界关注,研究愈加多元化。同时,卡夫卡的著作也走上了中国当代舞台:李建军版《变形记》将主人公身份置换为处于当代中国社会底层的快递员,使用影像表现媒介、呈现景观,且重写小说结局,反映并反讽现实;望导演、李腾飞主演的《一只猿的报告》则用一只被教化的猿猴,展现个体的身体为寻找出路不得不被权力与规则束缚。无论是变形为甲虫的格里高利还是进化为人的猿猴,都是现代社会“人的异化”的表征。中国当代舞台上的卡夫卡,秉承卡夫卡的精神内核,深切关注中国现实,揭示了现代人在社会体制、人际关系与生活不确定性中所经历的困境和挣扎。After the reform and opening-up,Franz Kafka's novels spread widely in China,which not only had a profound impact on the creation of many contemporary Chinese writers,but also attracted the attention of the academic community.At this point,the Research of Kafka and his novels became increasingly diversified.Meanwhile,Kafka's works made their way onto the stage of Chinese contemporary theater:Li Jian-Jun's adaptation of"The Metamorphosis"replaces the protagonist with a courier from the grassroots of contemporary China,using images to display the media and present the landscape,and rewriting the novel's ending to reflect and satirize reality;"A Report to an Academy,"directed by Xi Wang and starring Li Teng-fei,uses an ape that has been taught to behave like a human to illustrate how the individual's body are constrained by power and rules in their quest for a way out.Both Gregory,who transforms into an insect,and the ape that evolves into a human,are representations of"human alienation"in modern society.The Chinese contemporary stage version of Kafka,adhering to Kafka's core spirit,concerns Chinese reality and deeply reveals the predicaments and struggles experienced by modern individuals within social systems,interpersonal relationships,and life uncertainties.

关 键 词：卡夫卡 异化 李建军 望 李腾飞 

分 类 号：I20[文学—中国文学]