影像叙事与远程观演:媒介时代的剧场空间及其剧场性  

Video Narrative and Telematic Performance-Viewing:The Theater Space and Its Theatricality in the Media Era

作　　者：方桂林 Fang Guilin

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧与影视评论》2024年第6期78-88,共11页Review of Theatre and Film

基　　金：教育部哲学社会科学研究后期资助重大项目“新时代中国戏剧评论现状与问题研究”(23JHQ007)阶段性成果。

摘　　要：多媒体技术、数字技术在不断重塑物质性剧场的实在空间。多媒体技术最初作为辅助手段,是现场时空的延伸和附庸,用以强化戏剧表现力。而具有主体性的多媒体技术与现场表演产生互文,剧场空间是双重甚至多重的。除了现场表演,技术自身也暗涵了审美的符码。数字剧场的表征是远程表演、远程观看、远程联系。高清戏剧影像、线上戏剧和VR剧场都可被视为数字剧场在当下的表现形态。同时,我们应警惕技术成为炫耀或是感官刺激的工具,应深度把握数字技术,理解数字生活。另外,现实剧场的剧场性灵韵也在数字剧场这一虚拟空间中不断消解、转化。Multimedia and digital technologies are constantly reshaping the physical space of material theatre.Initially,multimedia technology served as an auxiliary tool,an extension and adjunct to the space time of live performance,strengthening the power of theatrical expression.When multimedia technology has subjectivity,it creates an intertextual relationship with live performance,resulting in a double or even multi-layered theatre space.In addition to live performance,technology itself also implies aesthetic symbols.Digital theatre is characterized by telematic performance,telematic viewing,and telematic interaction.Theatre Live in HD,Online Theatre,and VR Theatre can all be seen as current manifestations of digital theatre.At the same time,we should be alert to the fact that technology has become a tool for showing off or sensory stimulation,and we should grasp digital technology in depth and understand digital life.On the other hand,the inherent theatricality of physical theatre is continually being dissolved and transformed within the virtual space of digital theatre.

关 键 词：多媒体技术 戏剧影像 剧场空间 数字剧场 剧场性 

分 类 号：G63[文化科学—教育学]