游戏《赛博朋克2077》中的具身性探究  

Exploring the Embodiment in the Game Cyberpunk2077

作　　者：李大西[1] 丁英杰 Li Daxi;Ding Yingjie(College of Literature,Guangxi University for Nationalities,Nanning 530006,China)

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《牡丹江师范学院学报(社会科学版)》2025年第1期65-75,共11页Journal of Mudanjiang Normal University(Social Sciences Edition)

摘　　要：《赛博朋克2077》作为一款沿袭赛博朋克世界观的角色扮演游戏有着丰富的设定。在设定中,义体和赛博精神病作为游戏的核心引发了对于赛博格形象的思考,同时也在机械与肉体的博弈中,提供了一个具身性赛博格的范式。通过不同类型的义体和赛博精神病现象,将该范式加以具象化,也使具身性得以呈现。此外,在具身性赛博格的背后是呼之欲出的后人类主义,也回答了后人类如何存在的问题,从而将人与技术的界限消融在自我和赛博格式的主体之间。As a role-playing game that follows the cyberpunk worldview,Cyberpunk 2077 has a rich setting.In the setting,the cyberware and cyberpsychosis as the core of the game trigger the thinking about the image of cyborgs,and offer a paradigm of embodied cyborg,navigating the inter play between machines and flesh.Through dfferent types of cyberware and cyberpsychosis phenomena,this paradigm is concretized and embodiment is presented.In addition,behind the embodied cyborg is the emerging posthumanism,which also answers the question of how posthumans exist,thereby dissolving the boundary between humans and technology between the self and the cyborg subject.

关 键 词：《赛博朋克2077》 具身性 赛博格 后人类 

分 类 号：I02[文学—文学理论]