功绩社会、非物转向与平滑美学——韩炳哲的审美救赎思想探析  

Merit Society,Nonmaterial Turn and Smooth Aesthetics——Exploration of Byung-Chul Han's Aesthetic Redemption Thought

作　　者：王萍 李雷[1] WANG Ping;LI Lei(School of Literature,Capital Normal University,Beijing 100048,China)

机构地区：[1]首都师范大学文学院,北京100048

出　　处：《美育学刊》2025年第2期39-46,共8页Journal of Aesthetic Education

摘　　要：韩炳哲洞察到现代人倦怠、抑郁、缺乏审美能力等精神危机的来源是功绩社会造成的人的自我剥削,同时,非物转向使得仍残留着光韵的艺术物转变为加速老化的、转瞬即逝的信息。在此社会现实下催生的平滑美学以平滑感、色情性为美学特征,以触觉强迫为主要感知模式。而平滑美学的接受者,即功绩主体,同时也是无法与他者产生深刻联系的自恋主体。面对爱欲已死、他者消失、平滑美学泛滥的危机,韩炳哲认为主体应该回归“根本性倦怠”的状态,同时他也呼唤以他者的回归重建主体与世界的联系。韩炳哲一方面体现了在资本主义现代性冲击下建设审美现代性的努力,一方面暴露了其审美救赎思想中的怀旧倾向和乌托邦色彩。Byung-Chul Han has an insight into the source of modern burnout,depression,lack of aesthetic ability and other spiritual crises is the self-exploitation of people caused by the merit society.At the same time,the nonmaterial turn makes the art that still has light rhyme change into accelerated aging and fleeting information.In this social reality,the smooth aesthetics is characterized by smooth sense and pornography,and takes tactile compulsion as the main perception mode.The recipient of smooth aesthetics,namely the subject of merit,is also the narcissistic subject who cannot be deeply connected with the others.In the face of the crisis of love dying,the disappearance of the others and the flood of smooth aesthetics,Byung-Chul Han believes that the subject should return to the state of“fundamental burnout”,and meanwhile,he also calls for the reconstruction of the subject and the connection with the world with the return of the others.On the one hand,Byung-Chul Han reflects his efforts to build aesthetic modernity under the impact of capitalist modernity,and on the other hand,he exposes the nostalgic tendency and utopian color in his aesthetic redemption thought.

关 键 词：韩炳哲 功绩社会 非物时代 平滑美学 审美救赎 

分 类 号：B83[哲学宗教—美学] G02[文化科学]