船山“意势”之诗学美学思想研究  

A Study on the Poetic and Aesthetic Thought of Chuan Shan’s“Yi-Shi”Theory

作　　者：张颖[1] ZHANG Ying(Guangxi Normal University,Guilin 541006,China)

机构地区：[1]广西师范大学,广西桂林541006

出　　处：《扬州教育学院学报》2025年第1期56-63,共8页Journal of Yangzhou College of Education

摘　　要：船山哲学作为宇宙实有、以气贯之的本体论和人性动态创变、生生不息的人生论思想,为其诗学美学思想奠定了理论根基。作为建立在船山气本体哲学思想之上生成的范畴,“势”以宇宙实有之“气”为其存在方式,而“意势”则是“势”与“气”在其诗学美学中的扩展和延伸。船山诗学美学思想推动了其哲学思想发展,也为现代美学建构提供了可供阐释和发挥的思想资源。Chuan Shan’s philosophy,as an ontology of the universe’s reality permeated by Qi and a dynamic view of human nature and life,which emphasizes continual change and vitality,laid the theoretical foundation for his poetics and aesthetics.The concept of“Shi”(trend)which generated from Chuan Shan’s Qi-based ontology,represents the way in which the universe’s Qi exists,while“Yi-Shi”(meaning and trend)is the extension and elaboration of“Shi”and“Qi”in his poetics and aesthetics.Chuan Shan’s poetic and aesthetic ideas not only advanced the development of his philosophical thought but also provided valuable intellectual resources for the construction of modern aesthetics,offering a foundation for interpretation and exploration.

关 键 词：王船山哲学 王船山诗学美学 意势 气本体 

分 类 号：B249.2[哲学宗教—中国哲学] I207.227[文学—中国文学]