存在的印章——经克里斯蒂娃“互文”理论分析马拉美诗歌语言  

Existence Seal:An Analysis of Mallarmé's Poetic Language Based on Kristeva's Theory of Intertextuality

作　　者：张慧敏[1] 李英榀 ZHANG Huimin;LI Yingpin(Jingdezhen University,Jingdezhen 333400,Jiangxi,China;Mahidol University,Bangkok 10100,Thailand)

机构地区：[1]景德镇学院,江西景德镇333400 [2]泰国玛希隆大学,泰国曼谷10100

出　　处：《景德镇学院学报》2025年第1期35-41,共7页Journal of JingDeZhen University

基　　金：教育部人文社会科学研究一般项目(21YJAZH112)。

摘　　要：本文以“互文”~((1))的形式,关照克里斯蒂娃在探讨“语言革命”时涉及的“象征”诗派研究,特别是关于马拉美诗歌的研究。试图分析19世纪末进入20世纪的历史阶段,在话语建构、符义演变中克里斯蒂娃的探索。有一种存在看不见、摸不着,但实实在在就在那隐形的地方,语言通过何种技巧方使得隐性显形,并烙上印章的痕迹。既是诗人创造的努力,更让一代代理论家求索不竭。In the form of"intertextuality",this article focuses on the study of the"symbolist"poetry school involved in Kristeva's discussion of the"linguistic revolution",particularly the study of Mallarméan poetry.It attempts to analyze the historical stage at the turn of the 19th century into the 20th century,exploring the construction of discourse and the evolution of symbols.There exists an entity that is neither visible nor tangible,yet it resides in that invisible realm—language.The question of how to render it invisible while branding it with traces of a seal is one that not only demands the creative effort of poets but also constitutes an inexhaustible quest for generations of theorists.

关 键 词：马拉美 存在 符义 技巧 印章 

分 类 号：I565[文学—其他各国文学]