鲁迅笔下的“先驱者”形象——以《补天》为中心  

Image of the“Pioneer”Created by LU Xun:Centered Around Mending the Sky

作　　者：乔世华[1] 宋宣臻 QIAO Shihua;SONG Xuanzhen(Liaoning Normal University,Dalian Liaoning 116081)

机构地区：[1]辽宁师范大学,辽宁大连116081

出　　处：《浙江万里学院学报》2025年第2期55-59,共5页Journal of Zhejiang Wanli University

摘　　要：《补天》中的女娲是鲁迅对神话原型进行改写之后的产物。《补天》创作于五四运动落潮之时,体现了鲁迅对启蒙的看法以及对改革先驱者命运的思考。女娲补天的故事是对现实生活中先驱者启蒙现状的反映,同时又是对启蒙失败的一种悲剧性预言。《补天》中,作为先驱者的女娲孤独苦闷、艰辛而不被理解。在她的身上,既有与鲁迅以往笔下先驱者所相似的悲剧命运,又有不同于以往先驱者形象的特点。女娲的形象有着鲁迅自己的影子,体现着鲁迅痛苦而绝望的内心。然而鲁迅于悲观与绝望中仍然没有放弃斗争,这蕴含着鲁迅绝望与反抗绝望的生命哲学。Nvwa in Mending the Sky is the product of Lu Xun’s rewriting of the mythological archetype.Created during the ebb and flow of the May Fourth Movement,Mending the Sky embodies Lu Xun’s views on enlightenment and his thoughts on the fate of pioneers.The story of Nvwa mending the Sky not only reflects the challenges faced by pioneers in their pursuit of enlightenment but also serves as a tragic prophecy regarding the potential failure of this quest.In Mending the Sky,Nvwa as a pioneer is lonely,depressed,difficult and ununderstood.In her body,there is not only a tragic fate similar to that of Lu Xun’s previous pioneers,but also characteristics that are different from the images of previous pioneers.The image of Nvwa has the shadow of Lu Xun himself,reflecting Lu Xun’s painful and desperate heart.However,Lu Xun still did not give up the struggle between pessimism and despair,which contains Lu Xun’s philosophy of life of despair and resistance to despair.

关 键 词：鲁迅 《补天》 女娲 先驱者形象 

分 类 号：I207.427[文学—中国文学]