后现代记忆与身份建构:《宠儿》的文化记忆书写  

Modern Memory and Identity Formation:Cultural Memory Writing in Beloved

作　　者：计郑澳 JI Zheng’ao(Hangzhou Normal University,Hangzhou Zhejiang 311121)

机构地区：[1]杭州师范大学,浙江杭州311121

出　　处：《浙江万里学院学报》2025年第2期60-65,共6页Journal of Zhejiang Wanli University

摘　　要：20世纪的后半叶是后现代主义的鼎盛期,在历史研究领域,后现代主义催生了历史研究向个人“叙事”或“记忆”的转向,但这也导致了身份认同和集体记忆缺失的问题。《宠儿》是美国黑人作家托妮·莫里森的重要作品,莫里森通过对黑人创伤历史的重新书写和档案纪实的“经典化”,以记忆为切入点重写历史,这对于后现代主义语境下,复杂、断裂的黑人身份与文化建构具有重要作用。《宠儿》不仅书写过去的记忆,自身也成为文化记忆的一部分,通过对文化记忆的书写,《宠儿》成为文化记忆的重要载体甚至文化记忆本身,对社会认同的形成产生了积极影响。The latter half of the 20th century marked the zenith of postmodernism.In the field of historical research,postmodernism brought up a transition towards a focus on individual“narratives”or“memories”,yet this also led to issues of identity recognition and the absence of collective memory.Beloved is a significant work by Toni Morrison.Morrison employs memory as a conduit to rewrite the traumatic history of African Americans,and“canonizing”archival documentaries.This plays a crucial role in the complex and fragmented identity and cultural construction of African Americans under postmodernism.Beloved not only writes memories of the past,but also becomes an integral part of cultural memory.Through the writing of memory,Beloved has become a significant carrier of cultural memory and even the cultural memory itself,thereby exerting a positive impact on the formation of social identity.

关 键 词：《宠儿》 后现代主义 托妮·莫里森 文化记忆 身份认同 

分 类 号：I106.4[文学—世界文学]