中国藏戏面具的社会核心价值观图像实践之道  

On the Image-building Practice and Enlightenment of Core Socialist Values in Opera Masks of Xizang

作　　者：周琪[1] 蒙宇航 ZHOU Qi;MENG Yuhang(Center for the Study of Marxist Theory,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学马克思主义理论研究中心,重庆400715

出　　处：《云梦学刊》2025年第2期62-66,共5页Journal of Yunmeng

基　　金：重庆市社会科学规划英才计划项目“新时代思想政治教育图像实践研究”(2021YC048);教育部高校思想政治理论课研究专项“高校思政课名师工作室”(21SZGS50010635)。

摘　　要：藏戏面具在藏民族的社会文化生活中占据着重要地位,是承载民族文化的表意符号。作为价值观图像化表达和传播的重要载体,藏戏面具通过视觉修辞、图像叙事和仪式化演出,推动了价值观在社会话语与个体话语、理论话语与生活话语、感性认识与理性认知之间的融通与转换,从而构建起全方位、多层次、跨时空的社会核心价值观教育方式。The opera masks of Xizang play a significant role in the social and cultural life of the Zang ethnic group,and are ideographic symbols carrying the national culture.As an important carrier for the visual expression and dissemination of value,the opera masks of Xizang use visual rhetoric,image narration and ritualized performance to promote the integration and transformation of values between social discourse and individual discourse,theoretical discourse and life discourse,emotional cognition and rational cognition,so as to build an all-round,multi-level and cross-temporal method of education in core socialist values.

关 键 词：藏戏面具 社会核心价值观 图像 

分 类 号：G127[文化科学]