论新时代中国动画的崇高美创造——以《哪吒之魔童降世》《姜子牙》《长安三万里》为例  

On the Creation of Sublime Beauty in Chinese Animation in the New Era:Taking Nezha:Birth of the Demon Child,Jiang Ziya and 30,000 Miles to Chang’an as Examples

作　　者：盘剑 Pan Jian

机构地区：[1]浙江大学影视与动漫游戏研究中心

出　　处：《中国文艺评论》2025年第3期12-21,I0001,共11页China Literature and Art Criticism

摘　　要：“崇高”作为一个文艺美学概念,由古希腊的朗吉弩斯最早提出,并在古今中外的经典名著中一直存在。新时代中国动画创作中已开始出现崇高美创造,代表作有《哪吒之魔童降世》《姜子牙》和《长安三万里》。其崇高美创造具体表现在三个方面:一是伟大的思想:对个人、国家、民族命运的关注与表现;二是光辉的灵魂:勇敢坚毅、具足德行、充满激情的人物形象塑造;三是雄奇的表达:类史诗结构与奇观影像的运用。“崇高美创造”是过去的“中国动画学派”衰落后在新时代里重建的“新动画中国学派”的核心美学追求,并标志着中国民族动画正在走向成熟。The“Sublime”,as a concept of literary aesthetics,was first put forward by Longinus in ancient Greece,and has been present in classical masterpieces of the past and the present.The creation of sublime beauty has begun to emerge in the creation of Chinese animation in the New Era,and the representative works include Nezha:Birth of the Demon Child,Jiang Ziya and 30,000 Miles to Chang’an.The creation of sublime beauty is specifically manifested in three aspects:firstly,great thoughts:the concern and expression of the destiny of the individual,and the country and the nation;secondly,glorious souls:the portrayal of courageous and resolute characters who are full of virtues and passion;and thirdly,the expression of majesty and wonder:the use of epic-like structures and spectacular images.“Sublime beauty creation”is the core aesthetic pursuit of the“New Chinese School of Animation”rebuilt in the New Era after the decline of the past“Chinese School of Animation”,which marks the maturity of Chinese national animation.

关 键 词：新时代中国动画 崇高美 伟大的思想 光辉的灵魂 雄奇的表达 

分 类 号：G63[文化科学—教育学]