论物符号诸形态及其意义模式  

On the Various Forms and Meanings of Object Signs

作　　者：王委艳 Wang Weiyan(School of Literature,Xinyang Normal University)

机构地区：[1]信阳师范大学文学院

出　　处：《符号与传媒》2025年第1期79-95,共17页Signs & Media

基　　金：国家社科基金后期资助项目“交流叙述学”(19FZWB049)阶段性成果。

摘　　要：物符号,即被认为携带意义、并以物为符号载体的感知物。此感知物也可以表现为空物符号,即原初有物后失去之后形成的物空缺,并表达意义。物符号的形成离不开“人-物”关系和“物-物”关系,物符号意义在这些关系中生成和变异。人对物的物质加工和精神加工是物自性和物他性成为符号的基础性条件,这种加工构成了物符号的文化属性。艺术品是一种纯物符号,物性深度参与艺术符号的意义过程,物性借用在艺术符号的对象、媒介和载体三者形成的艺术品中是常见现象,它使艺术品的物性与物符号构成一个符号整体共同参与艺术符号的意义建构。Object signs are perceptual objects that are considered to carry meaning and use objects as sign carriers.This perceptual object can also be represented as an empty object sign,which is the void formed after the original object is lost and expresses its meaning.The formation of object signs cannot be separated from the“person/object”relationship and the“object/object”relationship,and the meaning of object signs is generated and mutated in these relationships.The material and spiritual processing of things by humans is the fundamental condition for the inherent nature and otherness of things to become signs,and this processing constitutes the cultural attributes of object signs.Artwork is a pure material sign,and the material nature deeply participates in the meaning process of artistic signs.The borrowing of material nature is a common phenomenon in artworks formed by the object,medium,and carrier of artistic signs.It makes the material nature and material signs of artworks form a sign whole and participate in the meaning construction of artistic signs together.

关 键 词：物符号 空物符号 物自性 物他性 

分 类 号：G63[文化科学—教育学]