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作 者:江玉琴 JIANG Yu-qin(School of Humanities,Shenzhen University,Shenzhen 518060,China)
出 处:《海南师范大学学报(社会科学版)》2025年第2期45-51,共7页Journal of Hainan Normal University(Social Sciences)
基 金:国家社会科学基金一般项目“赛博格叙事与21世纪科幻诗学建构研究”(22BZW175)。
摘 要:赛博格作为科幻文学中的重要概念,既指向人机混合身体,更指向一种混杂形象、一种生存状态、一种认知模式。中国当代赛博格叙事彰显出中国科幻的创作特性。它具体呈现在三个方面:一、高科技反英雄叙事,这表达了中国科幻作家对人机矛盾的关注和对人工智能未来社会的隐忧;二、探寻中国古老思维观念中的赛博格形象,以梦境勾联人类与机器的关系,思考人类的本质;三、将赛博格作为人类异化的文化实践与社会调试,并置于中国历史文化之中重新思考过去与现在、传统与现代、人类与非人类的关系,并试图在沟通人机关系中获得新的平衡。中国科幻文学的赛博格形象揭示了中国科幻文学的赛博格叙事本质,引领我们穿过机器与人类的可能冲突,建构更加合理与稳定的未来。As an important concept in science fiction literature,cyborg refers not only to a hybrid humanmachine body,but also to a hybrid image,a state of existence,as well as a cognitive model.Contemporary Chinese cyborg narratives highlight the characteristics of Chinese science fiction,as is manifested in three specific ways:firstly,the high-tech anti-hero narrative,which expresses the concerns of Chinese science fiction writers about the conflict between humans and machines as well as their worries about the future society of artificial intelligence;secondly,the exploration of the cyborg image in ancient Chinese thinking and concepts,with the use of dreams to connect the relationship between humans and machines and to ponder the nature of humanity;and thirdly,the utilization of the cyborg as a cultural practice and social adjustment for human alienation,and the placement of it in the context of Chinese history and culture for reconsidering the relationship between past and present,tradition and modernity,as well as human and non-human,with an attempt to achieve a new balance in the relationship between humans and machines.The cyborg image in Chinese science fiction reveals the nature of the cyborg narrative,thus leading us through the possible conflicts between humans and machines,and constructing a more reasonable and stable future.
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