怪异形式主义:论哈曼的新唯物主义艺术观  

Weird Formalism:on Haman’s New Materialist View of Art

作　　者：陈西梁 CHEN Xi-liang(College of Literature,Shandong Normal University,Jinan 250000,Shandong,China)

机构地区：[1]山东师范大学文学院,山东济南250000

出　　处：《红河学院学报》2025年第2期97-101,共5页Journal of Honghe University

基　　金：国家社会科学基金一般项目:西方后冷战时期文学阅读理论的保守主义形态研究(24BZW017)。

摘　　要：新唯物主义是21世纪对艺术产生较大影响的哲学思潮之一。作为新唯物主义的核心代表,哈曼十分重视艺术与审美问题。针对当前批判理论的盛行,哈曼重新回归形式主义,在康德、格林伯格、弗雷德等文艺理论家的形式主义的基础上建立了以自主性为核心的怪异形式主义。怪异形式主义坚持观者—艺术品关系的自主性,反对批判理论。在自主性的基础之上,哈曼还强调物的隐退,从而使得物在本体论意义上即是陌生的,由此则对俄国形式主义的语言陌生化进行了补充。New materialism is one of the philosophical trends that have great influence on art in the 21st century.As the core representative of the new materialism,Hamann attaches great importance to art and aesthetic issues.In view of the current prevalence of critical theory,Hamann returned to formalism and established a weird formalism with autonomy as the core on the basis of the formalism of literary theorists such as Kant,Greenberg and Fred.Weird formalism insists on the autonomy of the beer-art relationship and opposes critical theory.On the basis of autonomy,Haman also emphasizes the retreat of the thing,so that the thing is strange in the ontological sense,and thus complements the language defamiliarization of Russian formalism.

关 键 词：新唯物主义 物导向本体论 怪异形式主义 物的陌生化 

分 类 号：I01[文学—文学理论]