海德格尔哲学视角下的魏晋六朝“重情”论  

A Study of the"Doctrine of Affective Primacy"in the Wei,Jin,and Six Dynasties from the Perspective of Heidegger's Philosophy

作　　者：吴优博 孙书文[1] WU You-bo;SUN Shu-wen(School of Literature,Shandong Normal University,Jinan,Shandong 250000)

机构地区：[1]山东师范大学文学院,山东济南250000

出　　处：《集宁师范学院学报》2025年第1期81-85,91,共6页Journal of Jining Normal University

基　　金：国家社科基金艺术学项目“中国传统文艺价值思想传承创新研究”(项目编号:18BA016)。

摘　　要：魏晋六朝的文学理论高度重视个人情感的表达,这被后人称为“重情”论。海德格尔存在主义哲学的某些观点,同魏晋六朝重情论有互通与互鉴之处,因此可作为解读重情论的指导性理论。通过运用海德格尔的“向死而生”和“物化”理论对重情论进行解读,可以认识到“忧生之嗟”是推动魏晋六朝重情论的源动力,死生之情后又以借景抒情即“物感”的手法加以平和化。这一解读有利于从一个新颖的角度理解魏晋六朝“重情”论的演变轨迹以及深层次价值,并对现代人的精神生活有所启示。The literary theory during the Wei,Jin,and Six Dynasties attached great importance on the expression of personal emotion,a stance later termed"Doctrine of Affective Primacy".Certain perspectives in Heidegger's existential philosophy share points of convergence and mutual illumination with the"Doctrine of Affective Primacy"of the Wei,Jin and Six Dynasties,making his framework particularly valuable as a guiding theory for interpreting the doctrine.By employing Heidegger's notion of"being-toward-death"and"objectification"to interpret the"Doctrine of Affective Primacy",we come to realize that"lamentations over mortal existence"served as the primordial impetus behind the"Doctrine of Affective Primacy".This existential anxiety toward lifeand-death was subsequently tempered through the lyrical technique of"scene-triggered emotional expression"or"object-affect resonance",whereby landscape served to mediate and pacify raw existential dread.This interpretation offers a novel perspective for understanding both the evolutionary trajectory and profound significance of the"Doctrine of Affective Primacy"in the Wei,Jin and Six Dynasties,while providing meaningful inspiration for contemporary spiritual life.

关 键 词：魏晋六朝 重情论 物感论 海德格尔 

分 类 号：I06[文学—文学理论]