迹象论视角下解析弗兰克·盖里设计的表现形式——以毕尔巴鄂古根海姆博物馆为例  

Analyzing the Expression of Frank Gehry's Design from the Perspective of Sign Theory:Take the Guggenheim Museum in Bilbao as an Example

作　　者：邱梦箫 Qiu Mengxiao(Academy of Fine Arts,South Central Minzu University,Wuhan 430074,China)

机构地区：[1]中南民族大学美术学院,武汉430074

出　　处：《艺术与设计(理论版)》2025年第3期79-81,共3页Art and Design

摘　　要：文章以弗兰克·盖里的古根海姆博物馆为主要研究对象,将弗兰克·盖里的作品中的设计元素和特点与钟孺乾的绘画迹象论理论相互联系,通过深入分析弗兰克盖里作品的相同点,剖析其设计特点形成的原因。希望借此提高大众对于弗兰克盖里的设计特点以及传统绘画迹象论的认识,也为建筑师提供一定的理论借鉴。Taking Frank Gehry's Guggenheim Museum as the main research object,the article connects the design elements and characteristics of Frank Gehry's works with Zhong Ruqian's theory of painted signs,and analyzes the reasons for the formation of Frank Gehry's design characteristics by analyzing the similarities of Frank Gehry's works in depth.It is hoped that this will enhance the public's understanding of Frank Gehry's design features and traditional painting sign theory,and also provide architects with certain theoretical reference.

关 键 词：弗兰克·盖里 绘画迹象论 古根海姆博物馆 建筑与室内 

分 类 号：J0[艺术—艺术理论]