曲折的自我表达:李清照词对韩偓韵文的沿用与创新  

Intricate self-expression:Li Qingzhao’s inheritance from and innovation of Han Wo’s verse in her Ci poetry

作　　者：刘学[1] 叶烨 LIU Xue;YE Ye(School of Humanities,Central South University,Changsha 410012,China)

机构地区：[1]中南大学人文学院,湖南长沙410012

出　　处：《中南大学学报(社会科学版)》2025年第2期190-200,共11页Journal of Central South University:Social Sciences

基　　金：国家社科基金项目“唐宋宴乐制度与唐宋词书写形态研究”(22BZW072)。

摘　　要：易安词对韩偓韵文多有沿用,或夺胎借意,或套写其艳情主题模式,表现出对文人词写作惯例的遵从与利用。由于写作惯例的遮蔽,其词中的抒情自我不甚分明,需要仔细辨析:一方面,将易安词简单地当作“自传体”的做法,是对沿用与惯例性表达的视而不见;另一方面,易安词中除了显见的自我书写,还有隐蔽于创作沿用的自我表达,通过夺胎换骨、艳笔雅化、视角掌控等路径曲折地实现,流露出李清照的审美个性和表达自我的积极态度。曲折的自我表达体现了李清照的文体认知和表达策略,折射出词体在抒情与社会功能方面的独特性,及其维系的文体传统与新变之间的平衡。Li Qingzhao,in her Yi’an Ci,often follows some forms of expression of Han Wo’s verse,by either adopting such techniques as metempsychosis,or replicating his erotic writing mode,hence manifesting her adherence to and compliance with the writing conventions of literati.Owing to the obstruction of writing practices,the lyrical self in her Ci poetry is not clear enough and needs to be carefully analyzed.On the one hand,simplistically interpreting her Yi’an Ci as“autobiographical”overlooks its inheritance and customary expression.On the other hand,in addition to its overt self-writing,Li Qingzhao’s poetry harbors a veiled self-expression achieved through strategies like re-transforming the borrowed creativity(“metempsychosis and refinement”),making the erotic description elegant,and controlling the lyrical perspective.These methods subtly reveal her aesthetic individuality and proactive stance towards self-expression.Such intricate and winding self-expression reflects Li Qingzhao’s cognition of the literary genre and expression strategies,highlighting the uniqueness of Ci between its lyrical and social functions,as well as its balanced interplay between literary tradition it inherits and new changes.

关 键 词：李清照 词 韩偓 创作沿用 自我表达 

分 类 号：I207[文学—中国文学]