惠斯勒色彩与音乐系列绘画作品的参考源研究  

A Study on the Influential Sources in Whistler's Colour and Music Series of Paintings

作　　者：聂琪 Nie Qi(Kobe University)

机构地区：[1]神户大学

出　　处：《色彩》2025年第1期112-114,共3页Color

摘　　要：在19世纪,中国和日本的绘画及工艺品对众多西方艺术家和艺术流派产生了深远的影响。惠斯勒作为最早受到中国风和日本主义影响的画家之一,他对东方艺术的探索并非简单的模仿,而是通过融合、借鉴与创新,创作了一系列以色彩和音乐术语为主题的绘画作品,开创了区别于印象派和传统学院派的独特绘画风格。本文从中国风、日本主义和西方传统艺术的视角出发,将惠斯勒的绘画作品与同时期的东西方作品进行比较分析,探讨惠斯勒在创作时可能参考过的作品。In the 19th century,Chinese and Japanese paintings and artefacts significantly influenced numerous Western artists and genres.Whistler,as one of the earliest painters influenced by Chinoiserie and Japonism,approached Eastern art not through mere imitation but through fusion,appropriation,and innovation.He created a series of paintings inspired by color and musical terminology,pioneering a unique style separate from Impressionism and traditional academicism.This paper examines Whistler's artworks in comparison with contemporary Eastern and Western works from the perspectives of Chinoiserie,Japonism,and Western traditional art,exploring the possible sources Whistler might have drawn upon during his creative process.

关 键 词：惠斯勒 中国风 日本主义 色彩 浮世绘 印象派 

分 类 号：J20[艺术—美术]