北方三少民族服饰色彩审美文化探析  

An Analysis on the Color Aesthetic Culture of the"Three Ethnic Minorities"National Costumes in North China

作　　者：贾慧萍[1] 李露 Jia Huiping;Li Lu(School of Arts and Design,Qiqihar University)

机构地区：[1]齐齐哈尔大学美术与艺术设计学院

出　　处：《色彩》2025年第1期139-142,共4页Color

基　　金：黑龙江省高等教育教学改革研究一般项目《万物互联时代下高校课程思政与艺术设计课程有机融合教学模式创新与实践》(项目编号:SJGY20220400);黑龙江省哲学社会科学研究规划项目扶持共建项目《黑龙江流域少数民族传统鞋靴文化流变与基因谱系研究》(项目编号:21YSE375);齐齐哈尔大学学位与研究生教育教学改革项目《万物互联时代设计学研究生课程思政教学改革模式研究》(项目编号:QUZLTS_JG2023018)。

摘　　要：色彩是民族服饰中重要的组成部分,在服饰文化中,色彩的运用尤为重要,体现出各民族的审美观念,蕴含着深厚的文化内涵。北方“三少民族”的服饰艺术在历史的长河中发展与演变,形成独特的服饰色彩审美文化。本文对鄂伦春族、鄂温克族以及达斡尔族的服饰色彩进行了深入分析,探讨了三个民族在色彩选择和搭配上的审美理念、风格表征以及背后的审美文化内涵。“三少民族”在服饰色彩的选择上受到原始信仰的影响并呈现出地域性、民族性的审美特点,既存在同一性又具有差异性,通过对三个民族服饰色彩的演变发展进行分析,以揭示其服饰独特的审美文化价值。Color is an important part of national costumes.In costume culture,the use of color is particularly important,reflecting the aesthetic concepts of all ethnic groups and containing profound cultural connotations.The costume art of the"three ethnic minorities"in the north has developed and evolved in the long river of history,forming a unique costume color aesthetic culture.This paper makes an in-depth analysis of the costume colors of the Oroqen,Ewenki and Daur ethnic groups,and discusses the aesthetic concepts,style representations and aesthetic cultural connotations behind the selection and collocation of the three ethnic colors.The"three ethnic minorities"are influenced by the original belief in the choice of clothing color and show the aesthetic characteristics of regionality and nationality.There are both identity and difference.Through the analysis of the evolution and development of the clothing color of the three ethnic groups,the unique aesthetic and cultural value of their clothing is revealed.

关 键 词：北方 三少民族 服饰色彩 审美文化 

分 类 号：TS9[轻工技术与工程]